Laura van den Berg

Light Hardcover (1 lb or less)

Washington

An August 2018 IndieNext Selection. Named a Summer 2018 Read by The Washington Post, Vulture, Nylon, Elle, InStyle, Southern Living, Alma, Cliche, and Tor.com In Havana, Cuba, a widow tries to come to terms with her husband’s death—and the truth about their marriage—in Laura van den Berg’s surreal, mystifying story of psychological reflection and metaphysical mystery. Shortly after Clare arrives in Havana, Cuba, to attend the annual Festival of New Latin American Cinema, she finds her husband, Richard, standing outside a museum. He’s wearing a white linen suit she’s never seen before, and he’s supposed to be dead. Grief-stricken and baffled, Clare tails Richard, a horror film scholar, through the newly tourist-filled streets of Havana, clocking his every move. As the distinction between reality and fantasy blurs, Clare finds grounding in memories of her childhood in Florida and of her marriage to Richard, revealing her role in his death and reappearance along the way. The Third Hotel is a propulsive, brilliantly shape-shifting novel from an inventive author at the height of her narrative powers.

The Third Hotel

00c6d9f4-6ce2-48a1-b810-c1c20c79adf9-1

Magdalena Zyzak

Hardcover (1 to 2 lbs)

Vermont

A Novel

“This novel pops— Cosmopolitan, sexy, and funny.” —Percival Everett, author of The Trees The White Lotus meets The Talented Mr. Ripley in this high-spirited novel of a stolen Vermeer, a Polish transplant in LA, and the charismatic couple who seduce her into a misguided international heist One bright Los Angeles day, a young Polish émigré named Viva is driving along the freeway when she’s flagged down by a dazzling, disheveled woman in green chiffon. The woman is Bobby Sleeper, a fellow Eastern European and an erstwhile art gallerist with a mysterious background and even more mysterious filmmaker husband. Within days the couple hire Viva as their assistant, then enlist her as an accomplice in an improbable scheme involving a long-lost Vermeer masterwork, a multi-million-dollar reward, and several shadowy ex-husbands. As Bobby and her husband weave her ever more tightly into their web, Viva is swept up in an escapade that’s one part art heist, one part love triangle, and one part education of a felon. Entranced by their lifestyle, alarmed by their ramshackle scam, Viva realizes she’s out of her depth—and that only luck, cunning, and her own hustler’s instinct can save her from disaster. Careening from the canyons of LA to the canals of Venice, The Lady Waiting is a page-turning caper, a cavalcade of twenty-first-century sins—rapacious capitalism, shameless fraud, and atrocious behavior—and a showcase for three of the biggest and most unforgettable characters in recent fiction.

The Lady Waiting

10873043-989e-4333-b714-520eb7a5cdbd-0

Eliza Moss

New Jersey

Eliza Moss's intoxicating debut novel is a dark, intense, and compelling account of what happens when a young woman falls in love with the wrong kind of man. Enola is approaching 30 and everything feels like a lot. The boxes aren’t ticked and she feels adrift in a way she thought she would have beaten by now. She wants to be a writer but can't finish a first draft; she romanticizes her childhood but won’t speak to her mother; she has never been in a serious relationship but yearns to be one half of a couple that DIYs together at the weekends. Enter: enigmatic writer. Enola falls in love and starts to dream about their perfect future: the wedding, the publishing deals, the house in Stoke Newington. But the reality is far from perfect. He’s distant. But she’s a Cool Girl, she doesn’t need to hear from him every day. He hangs out with his ex. But she's a Cool Girl, she’s not insecure. Is she? He has dark moods. But he’s a creative, that’s part of his ‘process’. Her best friend begs her to end it, but Enola can’t. She's a Cool Girl. She might feel like she’s going crazy at times, but she wants him. She needs him. She would die without him...That's what love is, isn’t it? Over the next twenty-four hours (and two years), everything that Enola thinks she knows is about to unravel, and she has to think again about how she sees love, family, and friendship and—most importantly—herself. With notes of Fleabag & I May Destroy You but with the sparseness and emotional accuracy of writers like Ali Smith and Lily King, What It's Like In Words is a close examination of what it means to experience the intense emotional uncertainty of first love.

Shelves by Crystal H

Crystal H

Wishlist

Browse by categories

Shelves by Crystal H

Crystal H

Wishlist